Tuesday, March 6, 2018

Gakuen Babysitters Episode 9

It really is interesting to see the differences between the Kashima brothers and the Kamitani brothers. The Kashima brothers always had a more loving and softer relationship with both of them being pretty clingy with each other. The Kamitani brothers have a tougher love where they argue a lot and Taka is usually screaming and crying about something. One pair gets along, the other pair bickers a lot. But, at least they love each other.


We saw that again as the brothers took the spotlight in their own halves this episode. I thought the beach episode would be cute and silly, but it got pretty emotional. We’ve seen how much Kotaro worries about Ryu but we saw how understanding Kotaro is about possibly losing the last family member he has. The daycare peeps and the moms take a little beach trip and one half of the kids are terrified, while the other half loved it. Inomata was also there and honestly I don’t even know why, but her swimsuit was cute and I love that she has a little connection with Kirin. Later on Ryu goes into the water and dives and Kotaro sobs uncontrollably. Kotaro knew firsthand how scary the ocean could be and his fear that he could lost his brother made him actually try to swim. We haven’t seen a powerful reaction like that from Kotaro since episode one, where again he thought he lost his brother when he didn’t see him next to him. It’s just a reminder of their strong bond because of their circumstances, and how Ryu quickly runs to Kotaro’s aid. When you compare Kamitani’s previous actions in last week’s episode when it came to Taka (admitting to wanting to give up immediately), it’s pretty different. But that also has to do with their different personalities.


Taka is a cutie but he really is a bratty kid. Basically, being jealous that his older brother spends more time in his baseball club than playing with him, Taka grabbed an autographed baseball of his and drew a poop on it. A “See! That’s what you get!” kind of thing. Obviously Kamitani was pissed but instead of smacking Taka on his head, he completely ignored him, and to Taka that was way worse than being acknowledged for his bad deed. His mother explains the situation to Ryuichi and asks him to check on her son and the chairwoman and Saikawa watched Taka and Kotaro. With Kamitani, he’s more of a tough brother. Ryu mentioned Kotaro ruining his things but Ryu is such a soft-spoken and sweet guy that he probably never yelled at Kotaro, whereas Kamitani is a lot more harsh. He knows that Taka is a brat that doesn’t see the error in his ways but he decides to just suck it up. But thankfully the chairwoman had a very important conversation with Taka about ruining others’ precious possessions and how, yes, he was wrong. And of course he apologized in the end. I’m glad he understood that he was wrong, because just sucking it up and letting him get away with it doesn’t teach him anything. He’s at the age that he needs to learn right from wrong, and how particular actions can really hurt people. But Kamitani shows his love in the end and suggests playing baseball with the children the next day, making time to play with his little brother.


Growth was mentioned twice this episode. Ryu mentioning it with Taka growing a little in the end, and with sadness that Kotaro one day will grow and not need him anymore. But it’s steps that Taka took that leads to them being grown and responsible, and while that may feel sad at first, it’s also a good thing.


Next week is Vegetable Day and I saw the kids dressed up as veggies in the preview and I screamed. I can’t wait to see that!


Hakumei to Mikochi – Episode 8

This week’s episode took a page out of a battle tactics book, which wasn’t boring per say… but it was not really my thing. Onward ho to the review!


Hakumei, Mikochi and Konju are heading into a “lawless” part of town where they hope to visit a big building called Honey House. Inside many criminals and other similar types of people live. Gamblers, smokers, and so on. People who are “lawless” for one reason for another, basically. There are eight floors in Honey House, with each floor being named for a different element, but all the “old timers” (people who have lived in the building for forever) live on the top three floors.


The conflict of the episode kicks off with the old timers supposedly destroying something wooden that belonged to the newer residents. When it looks like there might be a fight, Hakumei doesn’t even blink as she suggests that she and the other newcomers square off against the old timers. The unofficial new leader, a giant pink lizard named Tsumuji , readily agrees.


However it’s not long before Konju ends up kidnapped, and Mikochi and Hakumei are unable to retrieve her immediately. They then meet Higaki Yagatamori, the second generation owner of Honey House. He was friends with Ukai, the original owner of Honey House who is now deceased.


Higaki takes them to a quiet bar where he serves them a version of Ukai’s famous mint julep drink. He knows Mikochi has a reputation as an excellent cook, and he has a favor to ask her: he wants her to replicate Ukai’s original mint julep using Ukai’s recipe, as it has a reputation for calming conflict. Higaki knows that there has been a lot of fighting between the older residents and the newer residents of Honey House, and he wants it to stop.


So that’s how most of the episode goes: Hakumei helps the newcomers fight back against the old-timers while looking for Konju, while Mikochi sticks to helping Higaki with the mint julep drink.


Hakumei organizes the newer residents into a raid, and decides that together their group will raid the Kaku (leather) floor of Honey House. The first group from the raid pelts mushrooms at the guards outside Honey House, and while that attack is maintained, Hakumei flies (via paper airplane!) to another rooftop to pelt said guards with smoke bombs.


As the old-timers retreat, Hakumei sneaks inside an unused storehouse in Honey House to get some of Ukai’s honey wine, to use in the mint julep recipe. Tsumuji beats Hakumei to the prize but he doesn’t interfere; in fact he even hands the bottle right over to her.


Later in the evening some of the old-timers have Konju sequestered in an open guard tower. They’re hungry, Konju included, and they’re jealous of the delicious meal they can see the newcomers cooking on a nearby flat rooftop. But the feast is a distraction, for while Konju’s captors are drooling over food they can’t have, Hakumei and Higaki are flying by paper airplane under the cover of darkness to the guard tower to rescue Konju.


Hakumei and Higaki arrive and surprise the old-timers guarding Konju, and a truce is reached. Higaki offers Tsumuji some of what looks like Ukai’s mint julep… except that it’s not Ukai’s version of the drink. Higaki and Tsumuji remember how Ukai’s original mint julep was apparently super disgusting – the amounts of the ingredients used weren’t properly balanced, resulting in a very strong, gross-tasting drink. This version which Higaki has made with Mikochi’s help is much better.


Now that everyone’s made up, Konju serenades all of the Honey House residents while they share a meal together. Elsewhere Higaki and Tsumuji are drinking alcohol next to Ukai’s statue and remembering the old days. Hakumei and Mikochi show up and Hakumei asks to try some of Ukai’s original mint julep, which Tsumuji has in a flask in his vest. She tries a sip and confirms, through her lack of a response, that it’s pretty bad.


The episode ends with a flashback between Ukai and Higaki. Ukai asks Higaki what kind of a place he wants Honey House to be, as Ukai plans to leave the building to his friend after he dies. Higaki comes up with Honey House’s motto: “A place where anything goes.”


I’ve never been a huge fan of battle strategy, nor do I drink very much, so honestly this episode was a little boring to me.  ^^;;  But it was still a well-done episode, and I liked how both Mikochi and Hakumei had different roles to act out, roles which played to each of their personal strengths.  (Mikochi being skilled in the kitchen and with creating food and drink, while Hakumei works well with others and is a good team player.)





Monday, March 5, 2018

IDOLiSH7 Episode 11

UGHHHHHHHHHHHH! IT GOT STOLEN! THE FREAKING SONG GOT STOLEN OH GOD!!!!!! I am losing my mind right now, this is so @#()**!@ dangerous for them!!!!!!!!


I lost it when they decided to press on and sing the song. I had to rip off my headphones at that point because I just couldn’t listen. It was too brutal. All I could do was yell at my screen, “WHY WHY WHY WHY WHY WHY WHY WOULD YOU STILL SING IT JUST SECONDS AFTER TRIGGER RELEASES IT!!!!” Like that’s freaking suicide! This is how Yatome intends to smear them and smash them for once and for well. What puts Idolish7 at such a disadvantage in this fight is not only because they are new, but it’s in their records and been filmed and out on the internet how they performed TRIGGER’s songs in front of their concert hall. Had they performance the song just a few seconds earlier, maybe, MAYBE they would gain some leverage. But the problem here is TRIGGER is huge, established, and the hottest group on the market- AKA Goliath. It makes me physically ill knowing just how badly this will backfire on Idolish7.


And ohhhhhh boy, Nagi is pissed. The angriest we have seen him to date. Nobody messes with his BFF song! (I’m like 99% sure they are best friends!)  At this point I am quite convinced Zero is the anonymous composer for Idolish7’s songs, who is a legend to boot. But taking into consideration how carefully Zero has been keeping himself out of the spotlight of the entertainment world, even though this will piss him off, I highly doubt he will step forward to claim his work. I am a bit anxious and excited to see what Nagi will do. But I sure as hell hope that bloody thief who calls himself a composer is not related to him. That would freaking suck.


Frankly speaking, I am shocked Yamato figured it would be best for them to go ahead and sing the song. I thought he’d be a bit sharper than that. But at times like this, oh my god, Tsumugi, girl- you need to act quickly! You can’t just stand there in shock, you gotta protect your boys! It’s called Damage Control!!!


Ah man, and really, I don’t like chewing Tsumugi out, but the writers are making it really hard for me not to. I was not pleased to hear she is using Iori’s ideas again. In fact, what are her ideas?! Right now her character is so hollow, there is no way for me to identify what could be her ideas. I hate how it feels more like her character is deteriorating rather than undergoing important developments. And what makes this so frustrating is that I know she can be a strong character! One of her strengths is her persistence, and dedication, but at the same time, she can be such a doormat. More often than not, just about everything seems to walk all over her. I want to see the fierce Tsumugi we know she can be! I think the last time we saw her take the wheel, was when the storm caused a blackout!


This ordeal is undoubtedly going to cause Idolish7 to experience major setbacks once again. The only way they could possibly recover from this is if the composer confesses his crime of stealing their song. Interestingly enough, Tenn sensed he did not write the song, but decided to go along with it anyways. However with how he has been incredibly hostile to Riku and took upon the role of the senior savage giving Idolish7 members an earful on the elevator, I question how reliable he will be in this conflict. But yet again, currently it appears Tenn has yet to learn that Gaku at the very least, has learned the truth about his relationship with Riku.


I was quite surprised to learn neither Gaku nor Ryuunosuke were aware the two were brothers, therefore oblivious to Tenn’s betrayal. It turns out, he isn’t as open to the others as I thought he might have been. That being said, I’m bummed out that we didn’t get see the conversation between Gaku and Riku, especially with how friendly the guy is. Like my god, he is polar opposite to his father. He is definitely at the top of my bias list right now, I love him to death. But I definitely feel like we will be seeing their conversation in a flashback at some point, perhaps next week if Gaku chooses to confront Tenn about it, or perhaps his father since he was the one who recruited Tenn in the first place.


Speaking of family, dear god… We have yet another problem to worry about. Unfortunately Sogo had not been able to discipline Tamaki enough to prevent him him from making a verbal agreement to participate in the program after a producer approached him with a carrot on the stick, claiming he heard “rumours” about him searching for his long lost sister, and how they ‘hope’ to have their program help him do that. Immediately, I was nervous about it because it could be yet another trap prepared by Sousuke. The whole thing feels too good to be true, and the fact he doesn’t know anything related to the project, nor gotten Tsumugi’s permission. And while I acknowledge this is Tamaki’s greatest flaw- I would be lying if I said it doesn’t annoy me. Rather, I can’t stand it Some people think Tamaki’s main irritating feature is his obsession with pudding, but for me, its his bratty attitude.


On the bright side, before we were thrown in the pit of hell itself, the episode had its cute and funny moments. My favourite had to be when Riku starting speaking in front of the door. We the audience already knew TRIGGER claimed the entire top floor, so I knew there was no way in hell it was going to be Tenn’s door, but either Gaku’s, Ryuu’s or an empty room. But poor Riku, how awkward is that to lay your heart out only for someone else to hear! Bwahaha, his fault for not knowing which room he was in!


Next week, man it’s going to be so stressful to watch. Battle of David VS Goliath begins! Who will come up on top, and who will fall?! It is an understatement to say, Idolish7 is turning out to be an incredible rollar-coaster ride.



Sunday, March 4, 2018

DARLING in the FRANXX Episode 8

This week’s episode had a very awkward way to start, but I loved how it paid off in the end of forcing an important discussion and fight that led them to just scratching the surface behind the truth of their roles. It all started off with the girls being (rightfully) pissed off at the boys for ogling them both at the beach and when the Klaxosaur goop melted their Parasite Suit. But they had a petty way of going about it, which was dividing the house up, marking their territory, warning the boys not to cross the line. The boys retaliate with their own pettiness (presumingly with Goro’s guidance) and exploit the situation by walking around in their underwear, and claiming the food area. That of course was where Goro was willing to make the exception for them to go in, but the girls stubbornly believed it was a trap and refused.


And so the girls look to Zero Two who has been otherwise neutral throughout this entire fight. Of course being the mischievous little devil, she cleverly tricks both parties by setting them up so they end up seeing everyone naked in the baths. For Zero Two, participating in this “human fight” was exhilarating, and it helped her feel like she could be human too. It was childish of her to steal everyone’s clothes leaving them stranded in the baths like that, but it was the least I expected from her, and it was hysterical!


The pay off was how this confrontation encouraged both the girls and boys to not only reflect on themselves, but on each other. It’s quite interesting to see how neither side have ever thought of putting themselves in their partners’ shoes or consider their feelings. It made them realize how they didn’t understand each other at all and they should do more to support one another.


Then there was a dark turn when Miku locked herself in a room that was off-limits to them. There she and the rest of the members discover a picture of the previous children of Squad 13. That is when Zero Two confirms their fear: The former members were wiped out, putting the spotlight on the elephant in the room: What happens to Parasites.


It was about time they start catching on, but it this discovery hit the group hard, and it served as the key to their reconciliation of their petty fight. It was then when they realized just how important is it for them to get to know each other better and support one another, since it could potentially be the key to their survival.


And this gets me thinking, how do Parasites typically behave? Squad 26 already dropped an important piece of information of how the members of Squad 13 are unique, not only because they call each other by their names (as oppose to their numbers), but also they pilot flashy FRANXX. The only thing I wonder is how new are these FRANXX machines? Did the former members of Squad 13 pilot them, or are they brand new prototypes? Another particularly interesting tidbit to keep in the back of our minds is how Squad 13 is constantly being referred to “Test Team”. What test are they undergoing? Whatever it is, Zero Two is certainly shaking it up, creating an unprecedented abnormality.


This leads me back to DR. Franxx wanting to keep the development of the kids’ puberty a secret from the higher-ups. APE’S manual mentioned how the caretakers should intervene and resolve the issue immediately, indicating perhaps the higher-up don’t want the children to mingle with one another. This could possibly explain why they started off with seating at separate tables, one for the boys, another for the girls.


But perhaps one of the most under-rated developments in this episode was actually when Zero Two goes out of her way to encourage the girls to speak their mind, and to live whole-heartedly, since they are going to die sooner or later. It was great to see Kokoro put this in to practice. Earlier in the episodes she expressed to Mitsuru at the greenhouse that she was too scared to speak up, but by the end of it, she musters up the courage to speak her mind, and with such conviction too. It is also worth pointing out she definitely took some knowledge from the book she read in regards to child birth, as she mentioned there are certain things that can be done with the help of the boys and vice versa.


And Kokoro is definitely one of the quieter characters who has been gradually creeping into the spotlight. I like her a lot and I am every excited to see what kind of development she will undergo. (I still can’t get over Futoshi having the guts to tell Kokoro he couldn’t but stare at her because she was amazingly beautiful. Dude, I know you mean it, but she was soooo embarrassed, poor girl!)


Lastly, I found it absolutely adorable how Zorome and Miku are so alike. Their are stubborn, constantly bickering and butting heads, but they are adorable together. I seriously can’t see them paired up with anyone else.



Saturday, March 3, 2018

Love is Like After the Rain Episode 8: Quiet Rain

Interesting that they used Rashomon in this episode because it kind of gives certain implications for our two characters. Also, I’ve read Rashomon before so I understood the story more on a deeper level. I loved Kondo reciting the first few lines of the short story, and he summarized it, but I’ll add more details for context.


Yes, the story is about a servant of an ex-samurai. Because of customs, he cannot serve under another master and is now homeless with no money. He sits under the Rashomon (a gate) until the rain stops, wondering what he’s going to do next before he starves to death. He contemplates becoming a thief but hates the idea. Then, he hears a strange sound and sees a light inside the tower behind him and heads inside and sees a room full of corpses. And inside the room is the old woman. The servant watches as she tears out the hair from the dead bodies and the servant rushes into the room sword in hand, angry at what she was doing. The old woman defends herself by saying that she’s poor and is collecting the hair in order to make wigs, in order to survive. She tells him that her actions are okay because the hair she’s stealing from is from people who did bad things in life, like a woman that had been selling snake meat pretending it was fish meat. It’s okay because she has to survive. The servant then steals the old woman’s kimono and runs off to the nearest town to become a thief, deciding it’s okay to rob her because he needs to survive as well. And while before he had been sick of the idea of becoming a criminal to survive, he then decides to choose that over death. The story is pretty short and it doesn’t leave much answers and much ambiguity, but the story basically shows the gray area of morality when situations become so dire.


One thing the servant had was the courage to make a big decision in his life, and he chose the life of a thief to survive. He had the courage to take a step and move on in his life, and when you connect that with Akira and Kondo, it can have two different implications. One, they both find the courage in themselves to move on from their self deprecation and take the step to make their lives happier. In Akira’s case it would be her friendship with Haruka and running. With Kondo, it would be learning that his age isn’t a factor for happiness in life and move on to do the things he loves, which would maybe be writing?, maybe making amends with his wife (if he can), or…something. I’d still like to learn more about Kondo and what exactly is his problem, thank you very much. OR….or, the show is also going to tap into that gray moral area and them talking about Rashomon is foreshadowing them crossing that moral line and taking that courage to start a relationship with each other, and survive. Last week I said that Akira and Kondo complete each other because they each represent something they want in life, and them coming together would be their salvation? I always think up more than one theory and can never pick one!


But it was pretty funny that in the beginning of the episode Kondo repeatedly mentioned he and Akira were friends, I guess trying to force that thought into Akira’s head so she would understand it was nothing more. But it’s not that convincing when he’s so adamant about repeating it and still getting embarrassed to be around her. Though, I also felt like they were more comfortable with each other, especially during the Rashomon scene. But maybe that was because it was about books and Kondo is The Book Man. But Akira was a clever one and used the friends excuse to get his number. Damn, girl, get it!!


“We’re friends, so give me your number!” “Shit…”



But it looks like Akira is taking that first courageous step, as she invited Haruka to the festival and I hope we see that next episode. Haruka’s talk with that handsome senpai gives her hope, so I hope it’ll be the step that’ll rekindle their friendship. Though I wonder if they’ll run into Kondo there? Ooh…….


Also, Yoshizawa and Yui becoming a couple? Totally unexpected but really cute! I ship it! Happy blondes!




Thursday, March 1, 2018

Saiki Kusuo no Ψ-nan Season 2 Episode 6( This show has cliffhangers??)

Saiki Kusuo no Ψ-nan Season 2 Episode 6( This show has cliffhangers?? What?)


I didn’t think this show would end in a cliffhanger. Just saying. They usually fix the problem in 2 shorts or in one episode. This time it will take 2 episodes to fix.



Mera turns in the Amazonian Woman and is eating like a dog??? Okay then.


Saiki was trying to get out of hanging out with his friends, but he didn’t succeed. I honestly think he enjoys it, otherwise he really wouldn’t go with their craziness. Seriously, when my friends want to hang and don’t want to, I get out of that real quick.



The trip is basically the rich kid taking the group on a cruise. And the ship might sink because they had a rush in making the ship. The only condition of them going on the trip is that Teruhashi was going, so they gathered the crew.



Kaidou gets seasick and Yumehara decides to watch him and she throws the anti-seasick meds out the window, so she can watch him longer…



Then Saiki gets “seasick”, which he denies that he has( which is hilarious) and Teruhashi tries to take out his limiters, so he can rest comfortably, but in reality, she makes the ship sink because Saiki’s powers are not controlled. Remember that hotel incident in the first season? Y’all know.



I love how Saiki says “ I should’ve not gone on this trip, all the signs told me not to go.”



I love how the Saiki just goes with everything. He just could get out of it, but he doesn’t. At least Saiki is not a jerk, and doesn’t leave them on island. He could of, but his conscience. He saves everyone from drowning and put them on an abandoned island, which is accidentally in South America and not near Asia at all because his powers are not controlled.



Saiki realizes he done messed up because they are in South America. And them Mera eats all the food( and becomes the Amazonian woman) and now they are f***ked. End game for all of them. And like all castaway stories, they get really miserable until they find a breakthrough. (Saiki teleports to the store to get some food and brings it back and makes it look like the tide brought it in.)



Since Saiki wants to conceal his powers, he makes this whole thing more complicated than it needed to be. He also doesn’t want it to be giant thing involving the police and stuff, so he tries to keep it on the low. And then Nendou( of all people) suggests they bulid a raft. Saiki thinks they he can teleport the raft while they are in the ocean without everyone noticing, so he gets tape and building supplies for them and they bulid a raft.



Then Saiki notices the raft might fall apart, so he adds extra things to hold it together. While everyone is asleep by the way.



Meanwhile Saiko is suffering because he doesn’t want to be a peasant. I literally didn’t feel bad for him. Teruhashi tried to get him to eat with her charms, but he was like nah.. his pride was too high.




Saiko still has pride, but Teruhashi’s pride is damaged.


Anyways this is two piece episode, that I can’t wait to watch, in general. They literally have made fun of every castaway show. One person is panicking( Kaidou), the pretty girls( Yumehara and Teruhashi), the person who wastes resources( Mera), the guy who doesn’t want to associate with anyone and is a lone wolf ( Saiko), and the dumb guy( Nendou). And in some shows there is narrator and that is Saiki. Saiki could also be that guy who knows what’s happening and everyone doesn’t know anything except they are on this island…


Another funny thing:


Saiki teleports home while everyone else is on the island.



I still love how he could have let them die and his suffering would be at ease. At least, he isn’t a savage.


Hmm. We will figure out this out soon. Next week, y’all!







Yu-Gi-Oh VRAINS Episode 41

I FREAKING KNEW IT! I knew it had to be Ai was modeled after Yuusaku during the Lost Incident as the Sixth Test Subject! Now it only makes me even more curious to find out whether or not Ai can help Yuusaku reclaim what he had lost!


But not a lot happened this episode, in fact it was incredibly short. The recap in the beginning of the episode actually went on for 3 minutes and 30 seconds, followed up by the Opening which didn’t end till 5 minutes into the episode, so this episode was shorter than usual, but I’ll take it over a recap any day!!!


I find it rather appalling how Dr. Kogami wanted to create Ignis to “save humanity”, but in order to do so, he kidnapped six children to serve as his lab-subjects who were tortured and starved if they failed the test! And NOW, they want to destroy the network and plunge the world into chaos, all so they could kill off the Ignis species! Like are you freaking kidding me? @#*!%* that! After all of that crap, the ones who are currently threatening the world is not the Ignis, but Dr. Kogami and Revolver. I would very much like to hear Ignis’ side of the story, and then come to a conclusion whether or not they are all as dangerous as they say they are.


And yes, the Ignis species could very well be dangerous, there have been some potential hints that despite Ai’s cute character, he might have an “evil” side. A prime example is his ability to deceive Yuusaku and Kusanagi, pretending he had lost his memories, and proceed to play dumb when in reality, he is probably a lot smarter than he comes off as. This just goes to show us how closely he holds his cards close to his chest. But at the same time, we also know there are some truths to his words, such as he was on the run, and he was trying to escape in order to protect his friends and hide the Cyberse World. He says the only reason he didn’t open up was because he couldn’t trust anyone, which honestly, whether we like it or not, can really go either way.


Revolver wasted no time going HAM in this duel, shredding Yuusaku’s health to 800 LP. Yuusaku thought he was ready to counter Mirror Force, but didn’t take into consideration Revolver would have a backup measure to ensure the trap could not be negated. It was in this moment where I felt Yuusaku was definitely not in prime condition for this fight. He appears calm on the outside, but in reality, I think the situation has quickly become incredibly overwhelming for him. Sure he got that conviction, but there are still a lot on his shoulders right now, and worse of all, he is carrying alone. He is the only one can stop the Tower of Hanoi that could wreck havoc around the world, and hopefully save those who have been absorbed by it. And now, he learns how he and Ai were connected in the past, the bloody Ignis actually has all of its memories. So because he is so focused on trying to take out Revolver as quickly as possible, that he is making some rather uncharacteristic mistakes. Yuusaku is usually extremely cautious and perspective of what his opponents backup plans are- unless he intended to take the hit to enable him to use his Skill as quickly as possible, but I doubt it.


With Yuusaku so focused on Revolver, he isn’t paying close attention to incoming projectiles that could end up lethal if it strikes him in the wrong place. I suppose this is where the more discreet dangers of VRAINS comes back into play, which is a good sign to say the least since it helps increase what is at stake. In this kind of situation, Ai being Yuusaku’s extra pair of eyes is incredibly useful. Revolver has come to this fight prepared to throw everything at him to make sure he captures Ai and finishes him, so even though Yuusaku has never considered Ai as a friend, he could certainly use having someone look out for him, especially since they share the the common goal of surviving.


Yuusaku also gave me the sense of, “Resolve this problem first, and talk later.” He and Ai very much need to have some alone time to learn more about Ai’s motives, the Cyberse World the Ignis species have created for themselves. In a way, you could say fate drew them together again, since Ai did not expect the one he took safe haven with to be the kid he was paired up with during his creation. Yuusaku had started questioning Ai’s character recently, so it’s a pity he wasn’t able to question him in hopes to get some of the truths before this fight. But who knows what Ai would have done. It’s still too soon to say whether or not Ai would have opened up to him, especially since he is dead-set on eliminating Revolver since he is in this ‘Kill or be Killed’ situation. This is also the main reason why he is looking out for Yuusaku, so yeah, it’s really too soon to judge whether or not Ai truely thought of Yuusaku as a friend, especially since he has proven time and time again that he sees Yuusaku more of a tool/puppet than a friend.


Next week! The duel continues! I expect this duel to go for three to four episode, maybe even five if they spend a lot of time on flashbacks (like Revolver’s in next week’s episode!). This will be a fun one! I look forward to what will become of this fight!!!!



Dorei-ku the Animation – Episode 10

We’ve seen Ryuuou’s backstory from Julia’s point of view. This episode we get Ryuuou’s backstory from Ryuuou’s point of view. His relationsh...